Bangladeshi Drishtantoism in film (Bengali: Drishtantobad) is a style of film characterized that takes importantly the positive-creative aspects of the mentioned two flows of visualized criticizing their existing backwardness and darkwardness, and extremely supports the exposition of thing-based reality ignoring every intangibility and invisibility.
I’ts established mainly on the basis of the Indian Sub-continent philosophy including ‘Charvaka’, and supplimentarily on other existing doctrines and movements such as Existentialism, Individualism, Logical Positivism, Marxism, Dadaism, Symbolism, Surrealism, Futurism, Imagism etc.
I’ts established mainly on the basis of the Indian Sub-continent philosophy including ‘Charvaka’, and supplimentarily on other existing doctrines and movements such as Existentialism, Individualism, Logical Positivism, Marxism, Dadaism, Symbolism, Surrealism, Futurism, Imagism etc.
